International Friends of the International Lyric Art Festival
The association brings together members from the USA and the United Kingdom who support and wish to [...]
As a partner of the Festival, you benefit of a significant range of measurable benefits, adaptable to match your specific needs and the scale of your contribution.
Marie-Victoire Abbou Caubel
Contact for regional companies
Privileged access to performances
Benefit from highest level priority booking and group bookings with guaranteed top-price seats. Receive complimentary tickets according to your level of contribution.
Hospitality and entertaining
Entertain private clients and collaborators with an extraordinary opera performance and a dinner or cocktail reception in the magnificent premises of the theatre.
Align you brand with the Festival’s international reputation and its commitment to research of excellence, creativity and engagement.
Connect with cultivated and affluent audiences, including economic and political decision makers, opinion-formers, corporate teams and high networtk individuals.
Visibility and brand exposure
Be credited in the Festival’s numerous publications and communication tools: season brochures, annual report, opera programmes, banners, posters, flyers, press kits, website…
Participation in the Festival life
Be among the first to be associated to the Festival’s gala evenings, press conferences and season presentations…
Involve your employees and hail their skills thanks to bespoke special events: backstage tours, introduction to an opera, meets-and-greets with the artists, private recitals…
Whatever public or community you wish to reach, the Festival will allow you to engage with them thanks to his excellent cultural, educational and social-artistic programmes.
A Midsummer Night's Dream staged by Robert Carsen caused a stir for its world premiere 25 years ago at the Théâtre de l'Archevêché. Over these years of touring the world, this historic opera production has returned in July 2015 in the Festival d'Aix on the stage where it was [...]