New production of the Festival d'Aix-en-Provence
With the support of the Kurt Weill Foundation for music
A coproduction with Dutch National Opera (Amsterdam), The Metropolitan Opera, Opera Ballet Vlaanderen (Antwerp / Ghent), Les Théâtres de la Ville de Luxembourg
With the support of Fondation Meyer pour le développement culturel et artistique
Publisher and theatrical agent: L'Arche.
It is an allegory about life today. The principle character is the city. It comes to life starting from man’s needs and mans needs are responsible for its grandeur and its decadence.Kurt Weill: Remarks regarding my opera Mahagonny, 1930
Fight, drink, fuck: everything is allowed in Mahagonny. Everybody can purchase his part of happiness in this artificial paradise founded right in the middle of the desert by three crooks on the run. But beware of liberal minded thinkers who would like to shatter this illusion… With Mahagonny, Brecht paints a vitriolic picture of a capitalist world built on crime and debauchery, whereas Weill opens the opera with the glistening sounds of jazz and cabaret songs. A resolutely iconoclastic work of which the political and social significance remains contemporary is particularly fitting for the stage director Ivo van Hove for his first highly awaited collaboration with the conductor Esa-Pekka Salonen.
In the summer of 1788, Mozart composed a host of works, including a set of three symphonies for which we do not know the name of the commissioner, but which seem to have been wanted urgently. No. [...]
What could be better than living the festival experience at the Festival d’Aix-en-Provence? But if you are unable to come to Aix, it is the Festival which will come to you! From 9 July on, you can [...]