FRANZ SCHUBERT — Suleika, D 720 (1821)
— Rastlose Liebe, D 138 (1815)

HUGO WOLF — Spanisches Liederbuch, second part of Weltliche Lieder (1889)
12. « In dem Schatten meiner Locken »
36. « Bedeckt mich mit Blumen »

CONNIE CONVERSE — There Is A Vine
— One by One (1954)

KURT WEILL — Lost in The Stars (1949)
« Lost in the Stars »
— Aufstieg und Fall der Stadt Mahagonny (1927-1929), opera on a libretto by Bertolt Brecht
« Denn wie man sich bettet, so liegt man »
— Wie lange noch? (1944)
— Lady in The Dark (1940)
« The Princess of Pure Delight »

LUCIANO BERIO — Quattro canzoni popolari (1946-1947, reviewed in 1952 and 1973)
1. « Dolce cominciamento »
2. « La donna ideale »
3. « Ballo »

GIOACCHINO ROSSINI — Mi lagnerò tacendo « Stabat mater »
— Mi lagnerò tacendo « Sorzico »

JOHN CAGE — She Is Asleep (1943)
2. « Duet »

PAT CASTLETON (? - 1993) & SPENCER WILLIAMS (1889-1965)
— Driftin’ Tide (1933)

CORA « LOVIE » AUSTIN (1887-1972) & ALBERTA HUNTER (1895-1984)
— Downhearted Blues (1922)
— Lovie Austin Tribute

BILLIE HOLIDAY (1915-1959) & SONNY WHITE (1917-1971)
— Our Love Is Different (1939)

NINA SIMONE (1933-2003) & WELDON JONATHAN IRVINE JR. (1943-2002)
— Revolution (1969)

NINA SIMONE
— Four Women (1965)

BILLY TAYLOR (1921-2010)
— I Wish I Knew How It Would Feel to Be Free (1963)

A strong and pure flame: Julia Bullock was the great revelation of Stravinsky's Rake's Progress at the Festival d’Aix in 2017. Since then, her career has taken off, combining a constant and demanding eclecticism, an emphasis on contemporary music and a high commitment to diversity. The first part of her portrait-recital very much reflects this and ranges from romantic lieder to jazz, including several Afro-American women composers little known in France.